Post by Brad Nelson on Aug 12, 2023 18:10:26 GMT -8
Laura
There are various free old-movie channels you can add via Roku. One of them is Golden Network TV on which you will find 1944's Laura. It shows up on another free channel as well but with commercials.
I was really getting into this movie in the first 15 minutes so I thought I'd see if the $3.99 for-rent version on Apple TV was of any better visual quality. It's the same. I do hope someone can do restoration of this. It's really a pretty good and iconic film. But what exists is certainly good enough to watch.
It's got star power: Gene Tierney, Dana Andrews, and Vincent Price. And I do believe this is the best Dana Andrews film I've seen other than The Best Years of Our Lives. He's fresh and believable in this one, although the script ultimately isn't anything to write home about. It begins to circle the drain about 60% of the way in when this routine emerges: Det. McPherson (Andrews) ask a suspect again about a certain point now that new events have unfolded. The suspect then changes his or her story, giving a thin excuse for why. Rinse and repeat.
This is a good movie that could have been truly great with a bit more depth added to it. But as it is, it's pretty good. But maybe there is a better version out there. In the trivia section at IMDB it says:
The is precisely the kind of detail missing from this film as we often just fly or skip over important stuff and just have a talkie in the parlor between McPherson and the suspects.
But the dialogue is generally pretty snappy and the actors sparkle throughout this. This is directed by Otto Preminger and certainly he keeps a light and focused hand on the film, not clobbering it will too much self-conscious "directing," if you know what I mean. Unfortunately, there are (to my ear) some plot holes and character motivations that make little sense.
But it is what it is, and it's too late to change it. Or is it? I would imagine some A.I. in the future will actually fix up some of these old movies. But if they couldn't get the plot and characters right then, I really wouldn't hold out much hope that anyone in the future is going to have any better sense or taste. So take Laura as she is. I think you'll like her.
There are various free old-movie channels you can add via Roku. One of them is Golden Network TV on which you will find 1944's Laura. It shows up on another free channel as well but with commercials.
I was really getting into this movie in the first 15 minutes so I thought I'd see if the $3.99 for-rent version on Apple TV was of any better visual quality. It's the same. I do hope someone can do restoration of this. It's really a pretty good and iconic film. But what exists is certainly good enough to watch.
It's got star power: Gene Tierney, Dana Andrews, and Vincent Price. And I do believe this is the best Dana Andrews film I've seen other than The Best Years of Our Lives. He's fresh and believable in this one, although the script ultimately isn't anything to write home about. It begins to circle the drain about 60% of the way in when this routine emerges: Det. McPherson (Andrews) ask a suspect again about a certain point now that new events have unfolded. The suspect then changes his or her story, giving a thin excuse for why. Rinse and repeat.
This is a good movie that could have been truly great with a bit more depth added to it. But as it is, it's pretty good. But maybe there is a better version out there. In the trivia section at IMDB it says:
A scene cut from the theatrical version after its initial release was restored to the film in 1990. In it, Waldo Lydecker described how he transformed Laura's appearance and introduced her to high society. The studio worried that this obsession with decadent luxury would be offensive to WWII soldiers serving overseas, so the scene was deleted.
The is precisely the kind of detail missing from this film as we often just fly or skip over important stuff and just have a talkie in the parlor between McPherson and the suspects.
But the dialogue is generally pretty snappy and the actors sparkle throughout this. This is directed by Otto Preminger and certainly he keeps a light and focused hand on the film, not clobbering it will too much self-conscious "directing," if you know what I mean. Unfortunately, there are (to my ear) some plot holes and character motivations that make little sense.
But it is what it is, and it's too late to change it. Or is it? I would imagine some A.I. in the future will actually fix up some of these old movies. But if they couldn't get the plot and characters right then, I really wouldn't hold out much hope that anyone in the future is going to have any better sense or taste. So take Laura as she is. I think you'll like her.