Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 3, 2019 8:35:39 GMT -8
Alex Grecian’s novel, The Yard, starts off in the first paragraphs with a body found stuffed in a trunk at Euston Square Station. Detective Inspector Walter Day and Dr. Bernard Kingsley are called to the scene to investigate. Day is new to the London force, having arrived only a week before. He’s nervous but notes that the blue-uniformed bobbies know their job well and require little from him. “They push back the commuters who had gathered round the trunk and had began to scour the station for possible weapons and other clues.” He writes that the doctor was: This kind of pungent writing is missing from what I read of the Todd books. It gets better: Wham. Zing. That writing just sparkles with observation and meaning. Amazon reviews suggest that this novel doesn’t have a sufficient ending. But if this is indicative of the journey to get there, that might not prove to be such an issue.
|
|
|
Post by timothylane on Jul 3, 2019 8:57:36 GMT -8
I wonder if this case was inspired by the real-life Charing Cross trunk murder, which happened around 1940. In that case it was a woman who was murdered and whose body, stored in a trunk, was checked into the baggage room or whatever at Charing Cross Station by a man named Robinson. It was another notable case for Sir Bernard Spilsbury.
That attitude toward those rough, plebeian types who protect us shows up elsewhere. At least one Dirty Harry movie (The Enforcer) brought up the idea, and Rudyard Kipling did so in his poetry ("Tommy Atkins" and probably others).
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 3, 2019 10:20:30 GMT -8
I know nothing about that but I wouldn't be surprised.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 4, 2019 10:58:46 GMT -8
I’m 25 % into Alex Grecian’s novel, The Yard. It’s holding together very well. Yes, plot matters. But I think ultimately it’s a flowing writing style that can make or break any novel. I do not find myself having to read and re-read paragraphs, either because they were poorly written or because I psychically nodded off for a while (because they were poorly written). I’m not doing that in this book. Grecian (at least so far) has a good style. It’s not fancy-pants. But he does paint a picture. He keeps the scene moving. And his characters seem real enough. There is a sense of realism in this, and not necessarily because its extra grungy, bloody, or violent. But because it describes people and situations that seem natural, not concocted. I hope this one continues to hold up.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 8, 2019 8:08:30 GMT -8
The Yard turned out to be a bust…at least for me. It became a horror novel rather than a gritty detective thriller. But what really turned me off was one plot point that I found so offensively dumb that I just had to put the book down. It was very amateurish writing and pure plot manipulation.
One hopes to read a book where one doesn’t precisely know where it’s going. But this one had become predictable and stilted. That’s too bad because it started out well.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 8, 2019 12:01:14 GMT -8
Having laid down “The Yard,” I’ve picked back up Erik Larson’s Lusitania. There are historical nuggets here and there that keep me going. The most surprising aspect is that it seemed to be no secret that getting aboard the Lusitania at that time entailed a great amount of risk. It seemed to be well known at the time that it (and other boats) were running a risky venture at this point. Also of interest is that the needs of the British Navy meant there were virtually zero skilled sailors on the ship aside from a few of the officers. It apparently became a running joke (even amongst the passengers) that the crew didn’t know what they were doing, including their drills at lowering the lifeboats. Saudi Arabia just cancelled a huge order for the 737 Max airplanes and instead went with Airbus. Can you blame them? There would appear to be an entrenched layer of hubris at Boeing just as there was amongst all those (passengers and crew) surrounding the Lusitania. I read an article on the Boeing thing. And you never know who is behind these articles (unions, for example). But one interpretation of their problem is that they were outsourcing for the sake of outsourcing, particularly with hopes of gaining big orders from India. And that meant in many cases slipshod work, if not also vast miscommunication and a lack of proper testing. One person said that in regards to outsourcing being a means of cutting costs, it actually increased costs because of the additional layers needed to try to get the job right. Anyway, the more things change, and all that. Coming after the Titanic negligence, the Lusitania at least did have enough lifeboats. But it seems clear that they were troublesome to deploy in calm waters during a drill with skilled crew. It must have been a mess with an unskilled crew after having taken a torpedo or two. And not all the lifeboats were the normal boats. There wasn't enough room for them. They thus also had some kind of rafts whose sides needed to be setup and folded and attached upright in order to make them seaworthy. Apparently scrambling passengers meant that a lot of these never were deployed correctly and thus were useless. Believe me, given the state of the world now, when I cross over to Seattle on a Washington State Ferry, it’s front-and-center in my mind that any Washington State Ferry is a prospective Lusitania. No other boat is likely to be a danger to it. But Islamists could certainly cause a problem. I suppose there’s a slight possibility a ferry could run into on of those large container ships but I’m not so sure that would be much of a collision given the lack of speed of both so close to the docks in Seattle. Trusting to authorities when your life is on the line is a very risky proposition. I do think that political correctness has so pervaded law enforcement that you do take a major risk attending any kind of public event. And I would have second thoughts now getting on a Boeing airliner. Look at that Disneyland incident. They apparently have metal detectors at the gate, but clearly it's every man for himself if something serious breaks out. And given how most people stop and take photos of violence as it occurs, you'll not get much help from bystanders, let alone "security" personnel.
|
|
|
Post by kungfuzu on Jul 8, 2019 12:21:57 GMT -8
While political correctness/diversity has damaged law-enforcement, its greatest damage is that it has lowered the level of competency in all areas of endeavor. Being black, transgender and wheelchair bound does not necessarily make one a better elevator inspector.
Many people do not seem to understand the fundamental foundation upon which a society rests is trust. This trust is something that is built up over a long period of time through trial and error to a point where the populace gains a substantial amount of confidence in the system. I am beginning to see this competence being degraded and am slowly losing some of my confidence in the system. One encounters incompetents on a regular basis these days.
And I am not referring to only the political system.
|
|
|
Post by timothylane on Jul 8, 2019 12:30:29 GMT -8
A couple of years after the Titanic went down, there was some sort of ferry carrying hundreds of passengers on an excursion from Chicago into Lake Michigan. For some reason, most went to one side to look (perhaps waving goodbye as they left, but it was probably further out). This caused the boat to capsize, a situation made worse by all the extra lifeboats they had to hold the passengers. The lifeboats proved useless except for sinking the ship. Just something to think about the next time you take the ferry.
They say generals always prepare to fight the last war, but much the same thing happens elsewhere. All those lifeboats on that ferry were there because of the Titanic not having enough, but they only made it easier to capsize. I've read that the if the Andrea Doria had been designed like the Titanic it would have survived its collision. It turns out you can't protect against everything.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 8, 2019 15:08:19 GMT -8
Luckily, I don’t think Godzilla hanging over the railing could tip over a Washington State Ferry. They look like they have a very low center of gravity. And although there can be up two two rows of cars parked on each side, they are balanced, and no cars are put there before the middle is filled up. But, yeah, on some boats I guess everyone getting to one side could be a problem.
|
|
|
Post by timothylane on Jul 8, 2019 16:55:38 GMT -8
That doesn't look like it has the lifeboats an ordinary ship would have. The Chicago disaster may not have involved a ferry, though of course ferry designs a century ago would have been different. It's been quite some time since I read about it, and I don't know how I'd look it up.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 12, 2019 7:28:33 GMT -8
Mr. Kung, you are getting that picture posting down to an art.
|
|
|
Post by kungfuzu on Jul 12, 2019 7:58:50 GMT -8
Well everything is easy for me once someone else figures out how to do it and then explains to me (very slowly in short words and at least twice) how to do it.
Otherwise, I would still be posting blanks.
Its a good thing you explained to me how to do this, as much of what I want to impart can be done with photos I have taken.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 12, 2019 8:27:11 GMT -8
Here's the part that always surprised me about this sort of stuff: Very few want to take the time to figure anything out. As simple as StubbornThings was organized, I was often astounded to get questions such as "Where is so-and-so?" But all one ever needed to do was to take even the most cursory look and that feature would have been found.
As much as we criticize the Left for being Snowflakes, my eyes were opened in this regard about the right as well. I mean, geez, we're supposed to be the inventive and industrious ones. But push comes to shove, people are lazy and entitlement-minded. They want somebody else to do things for them.
This is why I give "kudos" for you taking the time to do this. Whether or not you needed help or not is immaterial. We all need help with this stuff. No one is born with this knowledge.
|
|
|
Post by kungfuzu on Jul 13, 2019 6:22:12 GMT -8
Well I did originate the saying, "One picture is worth a thousand words" some 2,500 years ago.
And never forget, a 20,000 Li journey begins with the first step.
Sorry, I couldn't help myself.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 14, 2019 7:58:13 GMT -8
Thoreau once said, “Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumb nail.” As one of his contemporaries retorted "One 'simplicity' is enough." Or something like that.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Jul 14, 2019 16:59:12 GMT -8
Having put down Alex Grecian’s The Yard for what I saw as literary dishonesty, I picked up again Charles Todd’s A Long Shadow. Even if a few of Todd’s plot points are slightly irregular (I’ll stop short of calling them “fudged”), he is as least an honest, if often boring, writer. I can forgive boring more easily than dishonest. You know you’ve not done a good job with the plot if it is the case that I could tell you the entire story and it wouldn’t ruin the ending for you. But this is more of an “immersive” novel. And it’s that part of it that is its strength. You get a feel for several areas of life in the aftermath of The Great War. You can read on further if you like. I don’t consider these spoilers because I think if I had known all this going in, it would have made very little difference in the enjoyment of the novel (or lack of same). Scotland Yard Inspector Ian Rutledge (the protagonist of this series of novels) is sent to a small English village to investigate a potentially deadly attack on the local constable. (He caught an arrow in the back.) The story proceeds 100% conventionally. As the inspector digs into this event he also uncovers all kinds of rumors, irregularities, and outright naughty bits of information about some of the residents there and other possible crimes. Are these other things connected to the attempted murder of the constable? Ultimately, the way it’s resolved, it doesn’t really matter. Plotting is not this writer’s strength. But immersing yourself into the character and the setting is his strength. You are slogging along with the inspector as he remains the model of stability and integrity even while he is talking to “Hamish,” his invisible Scottish antagonist whom he had dispatched as his senior officer in a firing squad on the front lines because of insubordination. There’s another subplot (or is it integrally connected?) of someone making threats on the inspector — even to the point of trying to kill him….or were the near misses meant simply to scare him? The resolution of this story is actually a little better but (spoiler coming), no, it had nothing to do with the other case. Actually, had there been more about this subplot the book would have worked better. But it really serves only as a red herring to the main plot. (Yes, this writer is cheating a little as well.) Can I recommend this book? Not really. Or I’d have to do so with some caveats. Knowing that I actually read the entire book should give you an idea of what esteem I hold it in. I just will not waste my time on junk and will eject out of a book ten pages in if it’s obviously literary detritus. A Long Shadow is flawed. It’s not quite a page-turner. And yet the immersion factor could make it worthwhile if you are interested in this post-war era of English life.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Sept 22, 2019 13:34:59 GMT -8
I recently finished “The Gate Keeper" by Charles Todd. This is the third book by him that I’ve read…plus one that got so bad I just couldn’t finish it, so make that 3-and-a-half.
I really want to like this guy. The stories tend to start out well but the writer is very mediocre when it comes to plotting. And he hasn’t even the basic idea for how to have a riveting finish.
And although this book is called “The Gate Keeper,” that aspect is so tangential and late-coming that it feels like false advertising.
The plot itself is about a man driving a car who is stopped by a stranger who is standing in the middle of the road. He stops his car, finds out what the stranger want, and is shot.
And I don’t mind at all giving this plot away because you’ve got a hole in your head if you want to read this book. I may be a glutton for punishment, but even I have finally had enough of Charles Todd.
Anyway, long story short, this all involves a stupid book that some chick sold that someone else (her brother-in-law) had sewn proof of her marriage to his older brother into a restored binding. She is the rightful heir to the family estate but has no proof that she actually married the older brother. But the younger brother found proof of the marriage and had it hidden in the binding of a book that he then gave her as a gift. It was his way of, I guess, relieving some guilt for stealing her inheritance because he had, after all, given her the document she needed.
Strapped for money, the woman sells the valuable book at one point. The wife of the younger brother hears about the book and then goes to track it down, killing three people who were connected with the sale. Why she killed the people with the book is anyone’s guess. No one would have known the document was hidden in the binding. There is some weak (very weak) plot reasoning by the author that maybe someone would have bought the book and used it for the valuable illustrations in it, to mount them separately. Thus the secret document would have been found.
This is a stretch. No only is the a stretch but it’s a completely added on plot element. Nothing in the first 3/4 of the book (or so) point to this as a solution. Three people, seemingly not connected, are shot expertly through the heart at point-blank range, the killer always getting away but (if you can believe this) leaving some carvings that her dead brother-in-law had made. This somehow was to confuse the police. Yes, use a carving made by the elder brother (who is known for his carvings) of the man you are married to (who stole the estate from the rightful heir….his wife has a son) as a way to turn the police away.
I’m honestly not sure if Charles Todd reads his own books. The plot was intriguing for a while. But once you complete the book, it is a completely nonsensical and unsatisfactory ending. Too bad, because there are qualities to his books that are good. Being able to flesh out a plot isn’t one of them.
And no loose ends are wrapped up. We get no completion to the parents of one of the murdered men (the first one) who so despised their son....out of all reason, by the way. Another silly and amateurish plot point. Why do I (did I) persist? I don't know.
|
|
|
Post by timothylane on Sept 22, 2019 14:17:32 GMT -8
This sounds like a Maigret book a friend told me about (I think he had it in one of his French classes). The police eliminated every suspect, and then someone out of the blue confessed. Maybe it was really well done, but the plot sounds a lot more suspect than the perpetrator.
|
|
Brad Nelson
Administrator
עַבְדְּךָ֔ אֶת־ הַתְּשׁוּעָ֥ה הַגְּדֹלָ֖ה הַזֹּ֑את
Posts: 12,271
|
Post by Brad Nelson on Sept 23, 2019 8:24:25 GMT -8
As I confessed, I really want to like this author. He’s much better at setting up the story than he is concluding it. Also, the parts in the middle tend to just be circular, doing the same stuff over and over. It feels like filler. And in at least one of the books I’ve read, his psychological-trauma friend-inside-his-head, Hamish, makes some sense. But now I don’t know why he’s even there. And he’s turning from a sort of guilty conscience to an omniscient being who can see and hear things that Inspector Rutledge can’t. I’ll admit I could do no better writing a book. He also relies way too much on speculative chatter rather than moving things along more kinetically. Entire sections are filled with supposing what a whole host of subjects must be thinking, doing, how they could be guilty or innocent, and on and on. Frankly, I lose track of who is who there is so much of this. I realize a bit of circumspection comes with being a good detective. But there’s just too much of it. And, like Agatha Christie, he has the temptation to super-size his murders. It’s that old truism: One death is a tragedy, a million is a statistic. If Charles Todd has stopped at the one death (which was interesting in what was known about it), it would have meant something. But instead of weaving a deeper tapestry, it just felt like he got bored with the one death and moved to the next. And the next death (and the one after) offered nothing new. I do think the author ran out of having something to say. We’re all guilty of that far too often. I’m probably doing that right now. Yet the main character, Inspector Rutledge, has much to commend him. He’s honest, hard-working, diligent, courageous, intelligent, and can suffer various local constables and other fools of Scotland Yard gladly. And then he’s got Hamish inside his head which sometimes works. At the very least, it’s something novel. But the novels themselves (none that I’ve read, anyway) have not held together even so far as three-fifths of the book. But by the time one has gotten that far, one might as well finish it. I couldn’t it one case. It was so ponderous. Right now I’ve switched to a non-fiction book: The Fleet at Flood Tide: America at Total War in the Pacific, 1944-1945I’m 13% into this and am finding it to be very interesting. I like to think of it in terms of “What’s the one thing I’ve learned that is a fascinating fact that I did not know before?” One of those might be the horrendous accident on one of the Hawaiin islands when they were practicing use of landing craft. Another might be an expert summation of what the war in the Pacific was all about. Author James D. Hornfischer focus on what he says are the three main people: It’s interesting that back in the late 1800’s, there was fully-developed military doctrine about fighting a war in the Pacific that included the need to re-take the Philippines. Plans were obviously revised as technology and the enemies became more realized. It was assumed early on, for instance, that the Allies would bomb Japan from airstrips in China. This was eventually deemed unsuitable for various reasons. Another thing I didn’t know was how fast-tracked the B-29 project was. It was extremely rushed. And its capabilities meant a totally different direction for military planners. And this, of course, then brought the Marianas (Saipan, Tinian, Guam, etc.) into the central scheme of things. The author notes that the realities of airplanes and airports in the Pacific mean that any runway must be aligned with the east-northeasterly trade winds. And these islands, in the words of Rear Admiral Harry W. Hill, “could almost be counted on the fingers of two hands. These, naturally, the Japs had developed as bases, and there were no more! So when we moved across the Pacific, and needed an air base, there was no alternative. We simply had to take on away from the Japs. It’s just that simple, and so badly misunderstood by so many historians.” So off across the Pacific we go, the sphere of influence switching from MacArthur’s to the Fifth Fleet. And early in the book we get an amazing example of what this new luxury meant for Spruance. The plans was to take the Marianas whose runways would put mainland Japan into reach of the B-29s. But in order to do so, they would first have to neutralize the Truk Islands which is an amazing natural archipelago fortress. Invasion of Truk was considered too difficult so they decided to neutralize its planes. Truk was the greatest Japanese base in the Central Pacific and we knew very little about. The first task was photo aerial reconnaissance. The author writes: Spruance’s idea was to take a fast carrier group to Truk and neutralize its airplanes as a threat. This section of the book is described in interesting detail, including Spruance going off on a sort of joyride with some big ships to hunt down some escaping Japanese ships. Planes that could have taken out the ships were ordered back to leave the prey to Spruance. What I also found interesting was that the flyovers of the area by American aerial reconnaissance had made the Japanese believe that Truk would be a target. And what they did was to removed any and all capital ships of the Japanese Navy. The author doesn’t mention this, but it seems by February 16-17, 1944, the Japanese pretty much knew they were quite vulnerable. So when Truk was assaulted by Spruance’s fast carrier group, they found very few ships of any size or value. Even so, they sank a whole lot of medium-sized ones, including destroying several hundred planes. Truk would received sporadic treatment going forth from air assault, but otherwise would be bypassed and left to starve. This was no longer Midway where the Americans had to be very clever — even lucky — to face the Japanese Navy and score a victory, or just a strategic draw. Spruance’s forces overwhelmed the Japanese forces at Truk. And although the Kamikazes would be in their future, Spruance’s carriers also displayed the ability (along with radar-guided fighters) to repel Japanese planes via massed and coordinated defensive strategies. Helping the Allies was apparently what the author called “the unending dysfunctional feud between the army and navy.” And why didn’t the Japanese build more carriers. This article has some interesting data: The attacking planes that Spruance’s carriers faced were showing clear signs that they were not meeting the “A-Team” in terms of pilots.
|
|
|
Post by timothylane on Sept 23, 2019 9:27:51 GMT -8
This sounds like a very interesting book. If nothing else, the description of Truk fleshes out what I knew about it already. I suppose they started building plans for a Pacific war as soon as the US acquired the Philippines and Guam (both acquired from Spain as a result of the Spanish-American War, though the remainder of the Mariana, Marshall, Palau, and Caroline islands -- including Truk -- were bought from Spain by Germany during the war, then conquered by Japan in 1914). Hector Bywater discussed the problems with these plans in The Great Pacific War.
The Taiho's first action was the Battle of the Philippine Sea aka the Great Marianas Turkey Shoot. It was hit by a single torpedo from the submarine Albacore, which led to damage in one of the fuel tanks. A damage control officer allowed the fumes to be vented throughout the ship, turning it into a floating bomb. Finally a spark somewhere set it off.
|
|